Savage revealed earlier this year that the auto-tune infused ballad was initially rejected by his label, but he still chose to add it to the project. The DJ Mustard production juxtaposes his typically hardened sound with the Atlanta rapper tapping into his versatility. Issa Album, particularly “FaceTime,” is proof that 21’s artistry can extend beyond ad-libs and gruesome catchphrases. In between lyrics about designer duds, jewels and guns galore, the catchy chorus finds Savage detailing his vices: women, money and violence. Under the production of Zaytoven, the Slaughter King deep cut is a plodding-yet-bouncy record. “Came from nothin’, ni–a we was poor / Eviction notices all on the door /Take out trash for some school clothes, I’m the one that the streets choose,” he raps on the opening verse. While he boasts about being able to afford designer linens, things weren’t always so cash-friendly for the Atlanta trapstar. 43 on the Hot 100.Īn ode to Miami’s buzzing beachfront area, the Southside-produced banger is a testament to Savage’s rags to riches story. Over an eerie Boomin’ production, Savage explains how his harrowing past filled with poverty, drugs and gang violence influenced him to enter “Savage Mode.” But, his adversity only bred his success as he boasts about his indulgent lifestyle on the title track, which peaked at No. The answer to “Young Savage why you trappin’ so hard?” so evidently lies in the track’s title. In the first verse, Savage offers a wonderfully concise bio, beginning with his expulsion from high school and then outlining the heartlessness that formed within him. On this 21 Savage song, his monotone delivery and equally icy lyrics on the Metro Boomin’ instrumental are the perfect pairing on this Savage Mode standout. The modern-day breakup anthem spent 31 weeks on the Hot 100, peaking at No. As the only guest feature on the joint project, the Future-assisted single showcased the rare chemistry being channeled between the two ATL loyalists. Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more.Backed by the ominous production of Metro Boomin’, Savage Mode cemented Savage’s star power. If you believe you should have access to that content, please contact your librarian.įor librarians and administrators, your personal account also provides access to institutional account management. The institutional subscription may not cover the content that you are trying to access. Oxford Academic is home to a wide variety of products. View the institutional accounts that are providing access. ![]() View your signed in personal account and access account management features.Some societies use Oxford Academic personal accounts to provide access to their members.Ĭlick the account icon in the top right to: See below.Ī personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions. Some societies use Oxford Academic personal accounts to provide access to their members. If you do not have a society account or have forgotten your username or password, please contact your society. Do not use an Oxford Academic personal account. When on the society site, please use the credentials provided by that society.If you see ‘Sign in through society site’ in the sign in pane within a journal: Many societies offer single sign-on between the society website and Oxford Academic. Society member access to a journal is achieved in one of the following ways: ![]() If you cannot sign in, please contact your librarian. If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.Įnter your library card number to sign in.
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